“Once we have perfect memory, Borges suggests, we are no longer able to generalize and abstract, and so remain lost in the details of our past.”
V. Mayer-Schönberger, “Delete: The virtue of forgetting in the digital age”, Princeton University Press, 2009
Delete by Haiku
An artistic mobile application exploring deletion and compression through traditional Japanese poem – Haiku making technique – within technological paradigm. The exploration has been made through the workshop, interviews, art practices and theories, and “research through design” method.
Interdisciplinary work and collaboration between an artist Vygandas Simbelis, designer Elsa Kosmack Vaara, and engineer researcher Pedro Ferreira. They are conducting research at Royal Institute of Technology and Mobile Life Centre in Stockholm, Sweden.
The artistic mobile application “Delete by Haiku” feeds off the stored SMS messages on the participants’ phones (the app is developed for the Android OS and runs on most modern Android phones) and assists in creating poetry out of past messages, participants can take advantage of different interactive ways of exposed creative process and progressively “delete”, or perhaps rather “compress” personal data into a haiku poem, through this process the application invites participants to engage creatively with their often-cluttered personal message history by partly destroying it and creating something new from it.
To think of how one could go about exploring deletion, we met with communities dedicated to Haiku poetry. This traditional Japanese form of poetry is marked by a three-line structure, where the syllables per line are, in order 5-7-5. What inspired us in Haiku was two-fold. First it represents a compressed form of text, which helped our thinking on deleting (or compressing) large amounts of text (the SMSs). And secondly, being a well-known aesthetic practice, it motivates us to think about deleting as an aesthetic process, and not necessarily the painful, “trash can” association it has in digital systems.
To explore these ideas, we organized a workshop around Haiku making. With 10 participants, during an afternoon, we explored how to build different Haiku poems, from certain given elements, such as newspapers, books, images and different objects. The exercises had a strong focus on aspects of uncontrolled deleting, for example, by the partial burning of a newspaper page, and working with whatever was left. By doing that, one forces the participants to give up some of the control over their Haiku making, and working within these constraints.
“Delete by Haiku” asks questions on the usage of personal data like storing SMS messages and critically proposing to apply defamiliarised concepts of creating through deletion, also involving practices of letting go, create by loose, and recycling of data. To approach such results we were inspired by human memory and forgetting paradigm as well as in comparing phenomena of digital deletion with human forgetting. Taking approaches from art history and art practice we were inspired by destructive art, ephemeral approach and literature, in particular haiku – traditional Japanese poetry technique.
By exploring defamiliarised concepts we apply translation strategies, which result in compression and condensing of data, and contribute in abstraction and generalisation of stories in SMS messages. This implies issues on personalization through levels of abstraction and some issues of privacy in sharing personal data publicly.
Translation is projected in many ways, and another one is how the data is translated into a smaller form. And in haiku technique smaller amount of information opens up a space for interpretation. It is also referring to condensing data in a fragmented way and changing the story through non-linear approach.
But also through the digital creative process we turn to qualifying-self approach as opposition to a well-known quantified-self movement, which implies similar problems on storing and managing data, but here we offer a curatorial practice of personal data. And after downloading and using the app, it informs how people’s experiences change according to their writing behaviours of SMS messages.
Following on the workshop, we started developing a system which, rather than “throwing messages into a “trash can”, places the messages in a “Haiku bin”.
The users of this app, adds to the “Haiku bin” and, once they feel ready, they can “delete by Haiku”, at which point Haikus will be generated based on the text content of those messages. In order to produce the Haikus, the messages are analyzed in two steps. First step is to decompose them using the production rules of the English grammar. Secondly nouns and verbs are given some emotional meaning, based on a dictionary of associations between words and that meaning, in order to help set the tone for the Haiku (i.e. ‘sad’ and ‘crying’ will set a different tone than ‘happy’ and ‘crying’). The resulting Haikus are based on this analysis and provide the user with a richer deleting experience.
This opens up a space for exploring how to provide rich, meaningful, more human (and humane) as well as aesthetic experiences around digital data, emphasizing the importance of forgetting as a fundamental asset in both personal and social life.
The system has been fully implemented and the project has been made complete to install on mobile phones and in art exhibitions through screening participants’ abstracted personal data publicly.